The band explains: *’day 1′ is the result of us not knowing at all what to do or how any of it would turn out – disjointed & loose to the extent of being structureless, but also the sound of us having a lot of fun. picking up random bells laying around the house & just shaking them into a microphone.*
03/15/08 San Diego, CA SOMA 03/17/08 Los Angeles, CA Wiltern Theatre 03/21/08 San Francisco, CA GA Music Hall 03/22/08 San Francisco, CA GA Music Hall 03/24/08 Salt Lake City, UT In The Venue 03/25/08 Aspen, CO Belly Up Tavern 03/26/08 Denver, CO Ogden Theatre 03/28/08 Lawrence, KS Granada Theatre 03/29/08 St. Louis, MO Pageant Theatre 03/30/08 Milwaukee, WI Pabst Theatre 04/01/08 Chicago, IL Congress Theatre 04/02/08 Grand Rapids, MI Calvin College 04/03/08 Cleveland, OH Beachland Ballroom 04/04/08 Buffalo, NY Tralf Music Hall 04/06/08 Farmingdale, NY Crazy Donkey 04/08/08 New York, NY Terminal 5 04/09/08 Philadelphia, PA Starlight Ballroom 04/11/08 Norfolk, VA Norva 04/13/08 Atlanta, GA Variety Playhouse
Check out ‘The Only Moment We Were Alone’ from last week’s Wintercase (in Madrid) below. Remarkable! Download an Explosions In The Sky track at bottom of post.
Animal Collective Polvo Broken Social Scene Iron & Wine Dinosaur Jr. Eluvium Ola Podrida Lazarus A Hawk & A Hacksaw The Paper Chase Four Tet Ghostface Killah Western Keys Adem Trail Of Dead
NME declares: *Texas prog-rockers Explosions In The Sky are to curate next year’s All Tomorrow’s Parties II festival, set to take place from May 8 to May 11, 2008. The band, who will perform at the festival, have already booked Dinosaud Jr., Adem, And You Will Know Us By The Trail Of Dead, Iron and Wine and Broken Social Scene to play, and are set to sign up more acts soon.*
The event will take place at Minehead’s Butlins Holiday Park. Photo courtesy of BU. Download a fantastic EITS track below.
I’ll let the band explain the idea behind this one: *We promised Jeremy we would do a Travels in Constants e.p. literally over four years ago. Since then we’ve been sidetracked by an astonishing number of things. Two thousand and five was our year to take a bit of a step back and take some time to write new music, and along the way somewhere we got an idea for doing this e.p. in a different way then we’ve ever approached writing music. It can take us months and months and months to write even a song. Sometimes it comes much quicker, but often we spend many an afternoon trying out new melodies and riffs and drum beats, playing things over and over, obsessing and arguing and sighing and sitting silently for what seems to be hours on end. So, for this, our idea was to write and record a song every day for two weeks (this later became eight days) and the rest of the two weeks would be spent trying to mix and master the results. No riffs were to be written beforehand; things would be pretty much made up on the spot. It seemed daunting but fun and, perhaps, instructive. A learning experience. A chance to try new instruments and new ways of thinking about writing songs. It’s also our first attempt at recording ourselves (the whole thing was recorded in Michael’s house). Anyway, The Rescue is the result.* Enjoy the tune below.